Ruthless narcotics dealer and white slavery ring leader Olga keeps her harem of girls in line by hooking them on addictive drugs. Olga suspects an informant in their midst and uses various brutal methods of torture to weed out the squealer. Meanwhile, several of Olga’s girls plot their revenge against Olga for her continual sadistic treatment of them.
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
A television producer helps a woman assaulted on the waterfront and takes her to his apartment to recover, where she recounts her recent adventures in New York and he discusses Nudism.
Cut-n-paste pseudo-documentary about the history of censorship in cinema and the changing mores of the ’60s, comprised mostly of footage from the films of Joseph Mawra (who also directed this under the pseudonym of “Carlo Scappine”). Likely the only way to catch footage from Mawra’s lost MME. OLGA’S MASSAGE PARLOR.
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
Cut-n-paste pseudo-documentary about the history of censorship in cinema and the changing mores of the ’60s, comprised mostly of footage from the films of Joseph Mawra (who also directed this under the pseudonym of “Carlo Scappine”). Likely the only way to catch footage from Mawra’s lost MME. OLGA’S MASSAGE PARLOR.
