The evolution of adult cinema through the most influential films in history, a journey that begins in the 1970s and ends nowadays. An in-depth analysis of the success of the most prestigious erotic films, their impact on industry and society, and their influence on cinema and contemporary culture.
A young Southern belle goes on a sexual odyssey after losing her virginity to a gardener.
John Holmes is dictating his memoirs on the terrace of a penthouse in New York City. He has just left sunny California and all the wild orgies. He is desperately searching for the one woman who can deep throat his massive manhood. He’s looking for…The New York City Woman.
Bernice Wyatt is a lonely woman approaching middle age living in a small Manhattan apartment. Raised in a strictly conservative environment, Wyatt is constantly battling inner demons in regards to her increasing sexual desire.
Following her suicide, middle-aged Justine finds herself at the threshold to hell. In order to fully earn her forthcoming destiny, she pleads with guardian Abaca to grant her a reprieve. He agrees and sends Justine on her journey through a missed lifetime of sensual pleasures.
Justine Jones, in a continuation of The Devil in Miss Jones, Part 1 (1973), is frustrated in hell. She makes a sexual deal with the Devil himself to earn a return to earth as an immortal human. However, in earning her escape, Lucifer falls in love with her. He doesn’t want her to go but can’t admit it because he’s the Devil. The story gets underway as he tries to place her soul in nubile bodies on earth that are increasingly removed from opportunities for sex, in order to jealously deny her the one thing she craves. He finally tries the body of a nun, but this brings him into conflict with HIM, resulting in a humorous finale.
Mr. Harry Flattout is used to calming his female office workers with sex. After he got carried away and raped his Boss’s secretary, Ms. Elaine Ziptitz, he was fired and ended up impotent! Luckily for him, Dr. Tessy Tighttwat of the Tighttwat Institute for Sexual Research is available.
It’s difficult to remember what porn was like in the 70s. In this era when pornstars are on TV, date movie stars, and are on album covers, the secret world of men in raincoats attending sleazy theaters is hard to imagine. Now most people see porn on their TV or internet. Once upon a time, though, it was a big deal for a porn star to hit the mainstream, and John Holmes did just that. With a 14 inch endowment and not so good looks, Holmes made thousands of movies and slept with thousands of women. He became well-known for his Johnny Wadd series, where he was an international man of mystery, and hardcore sex. Eventually he got heavily into drugs, got involved in a brutal murder, and finally died of AIDS.
A divorcee relives her sexual past while in hopes of reviving her sexual present, but her age and waning looks make it difficult.
Georgina Spelvin plays Madeline Stone, a woman whose husband passes away during the opening sex scene. Discovering she is not as well off as she thought, she decides to get her daughters (Annette Haven and Clair Dia) out of school to marry them off to rich husbands.
When his penis is bitten off by a crocodile, Tarz turns to the magical powers of the Wango-Wango tribe for help.
You’ll be shocked, amazed, and maybe just a little bit creeped out by the things you can find in your newspaper’s classified ads in this vintage sexploitation “mockumentary” from Joel M. Reed. Georgina Spelvin serves as host and guide to this exploration of the sexual netherworld, which can be accessed through discreet ads placed in “underground” newspapers and on public bulletin boards. We meet voyeurs looking for good peeping spots, homosexuals on the cruise for new partners, masked swingers clubs, nudie photographers trolling for naïve new models, a man who makes a good living providing S & M enthusiasts with leather gear, adult film societies screening stag movies for heavy-breathing fans, and “Lonely Hearts Clubs” preying on unsuspecting bachelors looking for relationships with teenage girls. Director Joel M. Reed (who would later make the bizarre horror-comedy Bloodsucking Freaks) and actress Jennifer Welles (a major star in 1970s adult films) can be spotted in cameo roles.
