When he inherits the family house and property after his mother’s death, aspiring novelist Fane returns home with his bimbo girlfriend Lilas. He must care for his idiot brother Mo and contend with a greedy garage owner who covets Fane’s property to expand his business. When efforts to buy the property are fruitless, the mechanic incites the townsfolk against the strange trio.
Although based on a novel by Georges Simenon, director (and songwriter) Serge Gainsbourg has superimposed several dark emotions and a subtle brutality over the weak plot about a man’s trip to Africa and his unfortunate passion for a murderess whose amorality sends the disillusioned fellow back to Europe. Sometimes described as frustrating and self-centered, reactions to this film swing across a broad spectrum of complaints — not the least might be whether or not Gainsbourg is using a clichéd and stereotypical view of “dark Africa” to convey what he sees in his characters.
When he inherits the family house and property after his mother’s death, aspiring novelist Fane returns home with his bimbo girlfriend Lilas. He must care for his idiot brother Mo and contend with a greedy garage owner who covets Fane’s property to expand his business. When efforts to buy the property are fruitless, the mechanic incites the townsfolk against the strange trio.
