The final installment in Ulrike Ottinger’s Berlin Trilogy (following TICKET OF NO RETURN and FREAK ORLANDO) casts Delphine Seyrig as the nefarious Fritz Lang supervillain Dr. Mabuse, here the head of a powerful media empire that seeks to create headlines by manufacturing (and then publicly destroying) its own celebrity: the wealthy, handsome playboy Dorian Gray.
Debbie Benton is the captain of her high school cheerleading squad, and has been accepted to try out for the Texas Cowgirls. Her parents disapprove, though, and refuse to pay the fare to Texas. In a bid to help Debbie, her cheerleader friends Lisa, Roberta, Tammy, Pat, and Annie decide to accompany her to Texas. They have two weeks to raise the money, and swear off any sexual activity with their boyfriends and form a company, called “Teen Services”, offering help.
Debbie’s done some wild things in her time, but WALL STREET? Get ready for frisky financial action as Nina Hartley and Raven send the Stock Market through the roof – along with your libido! No button-down dude or dress-suited dame is safe from their leveraged sexual buyouts! No broker can say “no” to their erotic options! Why? Because Nina and Raven are bullish on boffing! Invest now!
Debbie finally gets the job she wanted as a stewardess. On her first flight she meets her old friend Pam, who brings her to an orgy during their layover. What results is the wildest array of sex you’ve ever seen!
Release Date: January 1, 1979 Runtime: 63 minutes Production countries: United States of America Original Title: Debbie Does Las Vegas
When bookie Ron Jeremy takes a huge bet on Texas to win the Super Bowl, he decides to take matters into his own hands. So to speak. He sends his saucy secretary Steffi off to the team’s training camp — along with some of her sexiest, most irresistible gal pals. The idea is to have so much sex with the guys on the team that they’re all worn out by game time. Steffi signs up the luscious likes of Sunset Thomas and Debi Diamond to help in her passionate plan, and together the gals go all-out to seduce every player they can find. The stage is set for non-stop action and eroticism as the leggy lust bunnies pull out all the stops. It’s locker room lust at its most explosive as Debbie does Dallas again — and again!
Debbie Does Dallas, the series, continues with its best addition yet. Dana Lynn, one of the hottest sex driven nymphos ever to hit the adult screen, gives it her all to please fans and athletes alike.
The original, one and only Debbie is back and better than ever. This time, Deb and her pals do most of their scoring off the field when they take up employment at the hottest bordello in the West! You’ll cheer their erotic acrobatics as they lead their clients from one wild encounter to another… And you can be sure that the balls flying in this tape aren’t only on the playing field.
If you loved the first two “Debbies,” you’ll flip when you see the luscious Bambi Woods return for one last fling in Debbie Does Dallas 3. She puts the “cheer” in cheerleading, especially in the climactic orgy scene!
A scientist places her son and his girlfriend into a cryogenic sleep so that they can survive the coming apocalypse. They wake 25 years later in a world dominated by a fascistic ruler called the Messiah, who holds the “Death Run,” a deadly gauntlet.
This is the story of young Tony Cannelloni as he attempts to break away from his overbearing mom and strike out on his own. He sets himself up with a new apartment, look, and lifestyle to improve his “sex appeal”. Through a series of encounters with a variety of women he gets ever closer to achieving his goal. However, a never-ending series of calamities always seem to interrupt his progress.
“A spy said, “We’ve been trying to start a company called ‘Sex Appeal’ based on that same movies’ concept of people spying on each other doing things in their own bedrooms.” This A+ movie is loaded with lots of fun, as a cute young man enjoys coming of age, getting out of his parents’ grips, while finding true love in the midst of a zany world, publishing a book all about “How to Make Love to a Woman.” When I saw this movie late at night for the first time, I felt strong vibes connecting me to my own personal challenges of still being at home, like Billy Joel says, “too old to be at home, and your finger is going to pick your nose.” Having to get up and go to work before sunrise virtually every morning was pretty stressful, to say the least, considering how tediously congested the drive was to and from a slanting claustrophobic office about as poorly lit as Joe’s in the movie, Joe and the Volcano
A degenerate gambler, unable to come up with the cash necessary for a high-stakes gin rummy game, bets his nubile daughter. And loses. His daughter becomes the delectable property of a hot-to-trot sex fiend and becomes involved in a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, among other retrogrades.
A low-rent private investigator and former cop is sent to Austria on a job, and while there sees a number of seemingly unrelated coincidences that lead him into a strange web of corruption and decadence.
When Olga Roli returns to her birthplace after a nervous breakdown, it quickly becomes much worse for her. Anonymous, threatening phone calls to deal with her as Olga O, her stage name from her time working in a local strip club, soon followed by a near miss with a murderous motorcyclist.
Ruthless narcotics dealer and white slavery ring leader Olga keeps her harem of girls in line by hooking them on addictive drugs. Olga suspects an informant in their midst and uses various brutal methods of torture to weed out the squealer. Meanwhile, several of Olga’s girls plot their revenge against Olga for her continual sadistic treatment of them.
Madame Olga is the owner of a luxurious brothel in London, England. One of the brothel’s new clients, a young man, falls in love with her. He wishes to have more than sexual relationships with the woman.
Susan has chosen a hermit’s life on a dilapidated farm over the shallowness of her previous jet set modeling life. When Anton, a hunky courier, comes along to pick her up for an assignment on the French Riviera, he’s so fascinated by Susan’s odd assortment of house guests that he decides to stay with them for a couple of days.
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
This last gasp of the grindhouse “Olga” series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as “dance instructors” in Olga’s dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.
Gifted but hot-headed sculptor Eric has a stormy, erotic, and star-crossed romance with a beautiful young woman named Olga.
COUSIN BETTY is what current “reality TV”, say “Big Brother”, might look like if it were done XXX style rather than the insipid titillation/tease approach we get instead.
Emmanuelle is recently reunited with her husband, but at the next party, she gets drunk and strips nude for his friends. He returns to his lover. Later, a sober Emmanuelle tries to redeem herself, but her husband refuses to forgive. She travels to see him, gets raped on the way by two delinquents, and enters a life of vicious sex to forget him.
Director Nic Cramer has pulled all the stops out this time in a torrid tale of lies and deceit. The sultry Melissa Hill plays a hopeless housewife, who get roped into a deliciously fiendish scheme cooked up by her hubby. Something about her being subjected to depraved sex acts, repeatedly. How bad can that be? It’s enough to make you green with envy. Jealous?…You will be.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed. Soon she is trying to hold him to her with her oh-so submissive love, and he is playing some games with her head by pretending (usually) to have been playing around with others. Eventually, he encounters another woman who is not so sticky and tells her to buzz off. When they meet some time later, it becomes clear that the relationship meant different things to each of them.
Release Date: January 1, 1990 Production countries: Germany Original Title: Love and Jealousy Original Language: Deutsch (German)
A love story between two women in the Naples outskirts, a universe so far away from the glare of modernity, turbid, rural, completely naked in its ugliness and sorrow, where “people are talking”.
Construction worker Oreste and young fiancee Adelaide meet Nello, a cook in a pizzeria. This love triangle often goes to communist rallies, and enjoys the filthy beaches of Ostia. Will the hostile environment pave a way to jealousy?
Working extremely hard to keep his hotel afloat, Paul begins hearing voices in his head. Convinced that his wife has been unfaithful, he begins to see every male guest as a potential threat. What follows is Paul’s downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind – hell is himself.
