A degenerate gambler, unable to come up with the cash necessary for a high-stakes gin rummy game, bets his nubile daughter. And loses. His daughter becomes the delectable property of a hot-to-trot sex fiend and becomes involved in a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, among other retrogrades.
A low-rent private investigator and former cop is sent to Austria on a job, and while there sees a number of seemingly unrelated coincidences that lead him into a strange web of corruption and decadence.
When Olga Roli returns to her birthplace after a nervous breakdown, it quickly becomes much worse for her. Anonymous, threatening phone calls to deal with her as Olga O, her stage name from her time working in a local strip club, soon followed by a near miss with a murderous motorcyclist.
Ruthless narcotics dealer and white slavery ring leader Olga keeps her harem of girls in line by hooking them on addictive drugs. Olga suspects an informant in their midst and uses various brutal methods of torture to weed out the squealer. Meanwhile, several of Olga’s girls plot their revenge against Olga for her continual sadistic treatment of them.
Madame Olga is the owner of a luxurious brothel in London, England. One of the brothel’s new clients, a young man, falls in love with her. He wishes to have more than sexual relationships with the woman.
Susan has chosen a hermit’s life on a dilapidated farm over the shallowness of her previous jet set modeling life. When Anton, a hunky courier, comes along to pick her up for an assignment on the French Riviera, he’s so fascinated by Susan’s odd assortment of house guests that he decides to stay with them for a couple of days.
In this third installment of the “Olga” series, our heroine adds jewel smuggling to her repertoire of dope pushing and white slavery. As the vicious Olga (Audrey Campbell) expands her criminal empire, she also encounters more resistance as a string of once-trusted partners turn traitor in an effort to steal the successful racket out from under her. The result is exactly what fans of the series expect, a barrage of torture scenes featuring soldering irons, floggings, spankings, and even an electric chair. As with its predecessors, Olga’s House of Shame is a silent black and white film with narration to explain the action, but even with direct commentary it’s difficult to keep track of the characters and Campbell (who is occasionally caught laughing out loud at the absurdity of it all) has all the menace of a kindergarten teacher, even when wielding a machete.
This last gasp of the grindhouse “Olga” series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as “dance instructors” in Olga’s dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.
Gifted but hot-headed sculptor Eric has a stormy, erotic, and star-crossed romance with a beautiful young woman named Olga.
COUSIN BETTY is what current “reality TV”, say “Big Brother”, might look like if it were done XXX style rather than the insipid titillation/tease approach we get instead.
Emmanuelle is recently reunited with her husband, but at the next party, she gets drunk and strips nude for his friends. He returns to his lover. Later, a sober Emmanuelle tries to redeem herself, but her husband refuses to forgive. She travels to see him, gets raped on the way by two delinquents, and enters a life of vicious sex to forget him.
Director Nic Cramer has pulled all the stops out this time in a torrid tale of lies and deceit. The sultry Melissa Hill plays a hopeless housewife, who get roped into a deliciously fiendish scheme cooked up by her hubby. Something about her being subjected to depraved sex acts, repeatedly. How bad can that be? It’s enough to make you green with envy. Jealous?…You will be.
Pierre is a womanizing photographer, with a slight mean streak. For whatever reason, Camille, an artist in her own right, finds him entrancing and easily succumbs to his devious efforts to get her into bed. Soon she is trying to hold him to her with her oh-so submissive love, and he is playing some games with her head by pretending (usually) to have been playing around with others. Eventually, he encounters another woman who is not so sticky and tells her to buzz off. When they meet some time later, it becomes clear that the relationship meant different things to each of them.
Release Date: January 1, 1990 Production countries: Germany Original Title: Love and Jealousy Original Language: Deutsch (German)
A love story between two women in the Naples outskirts, a universe so far away from the glare of modernity, turbid, rural, completely naked in its ugliness and sorrow, where “people are talking”.
Construction worker Oreste and young fiancee Adelaide meet Nello, a cook in a pizzeria. This love triangle often goes to communist rallies, and enjoys the filthy beaches of Ostia. Will the hostile environment pave a way to jealousy?
Working extremely hard to keep his hotel afloat, Paul begins hearing voices in his head. Convinced that his wife has been unfaithful, he begins to see every male guest as a potential threat. What follows is Paul’s downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind – hell is himself.
An alcoholic artist, who may in fact have been driven to murder, seeks inspiration from a mannequin.
Vanessa Del Rio pops out of a TV set to instruct a lovelorn secretary in the ways of the flesh.
The young daughter of a US Senator is drawn into a hippie “free love” cult called “The Children of Light” by the blond boyfriend of the cult’s leader, a mysterious and beautiful Asian woman. The cult turns out to be not quite the “free” love community it presents itself to be.
Two female Army agents go undercover at a Nazi prison camp to get information from a scientist being held there.
A group of women are kidnapped by guerrillas and brought to a jungle brothel where they are forced to work as prostitutes for the soldiers. Those who refuse to cooperate are decapitated by the cruel, sadistic wardress of the camp, who is privately interested in some of the women herself.
Near the end of WW2, prisoners of war are used in experiments to perfect the Arian race.
When World War II breaks out, two German lovers are cruelly separated. While he is sent to fight at the front, she, a Jewish girl, is sent to a concentration camp where humiliation and death have been elevated to a sinister art.
A scientist carelessly dumps some toxic waste into a river. The gardener at a nudist camp drinks the water, turns into a monster and attacks all the (female) nudists.
Based on controversial play, a former Nazi and a madam meet 50 years after the Second World War to find Hitler’s progeny.
Jean-Pierre, a novelist who is experiencing writer’s block, retreats to the countryside to find inspiration and there finds many willing ladies.
Five episodes depict how young women get into precarious sexual situations in their search for love.
An American G.I. gets marooned on a tropical island after his ship is bombed. There he discovers a small Nazi outpost which has kidnapped a beautiful American nurse. Determined to save her, he slowly begins to infiltrate the Nazi compound.
Joe Dallesandro plays a hungry young buck who aspires to be a career criminal. He starts out working at a warehouse for a gangster where he helps to relocate illegal contraband, and because of his ruthlessness and dependability he begins to ascend the ladder of organized crime. Of course, the more powerful he becomes, the more “Climbers” come out of the shadows to take his place.
